Elvis Presley

Memphis, TennesseeCe son of a seamstress and a farm laborer, Gladys and Vernon, was born Elvis Aaron Presley January 8 1935 a small twin Jesse stillborn. Rocked by his mother a singer, songs of the church and listened to hillbilly music on the radio home of their wooden shack, it has a simple but happy childhood, and sings at the age of eight with his parents religious hymns.
Elvis Presley’s 1st National TV Appearance Huge, Not On Sullivan
On this Date in History: I would wager that if someone asked you which TV show was Elvis Presley’s first television appearance, you would answer the Ed Sullivan Show. That would be wrong. His first TV appearance was on January 28, 1956 on the little remembered, Stage Show, co-hosted by Jimmy and Tommy Dorsey. He appeared on the next 3 episodes and a total of 6 appearances. I’m not sure if the show lasted much longer than that but the press really didn’t pay much attention. His first national TV appearance was on April 3, 1956 on the Milton Berle Show. Berle remembered that there were many stars on that night including Hugh Jarrett, Esther Williams, Buddy Rich and Harry James. Milton Berle also mentioned Buddy Hackett but the rundown of those who appeared does not list Hackett. In any event, Elvis was an unknown young performer. Elvis’s agent, Colonel Parker (see book about Parker and Presley) had called Berle and asked him to give Elvis an audition. Berle did and was impressed enough to book Elvis on the show. Elvis performed “Shake Rattle and Roll,” “Heartbreak Hotel” and “Blue Suede Shoes.” Of the three, Elvis wrote “Heartbreak Hotel.” The story gets a little cloudy here because in an interview of Berle, he seems to mix two appearances into one. Apparently, Elvis was gaining in popularity but the press still generally ignored him. You see, it was the second appearance of Elvis on the Milton Berle Show on this date in 1956 that launched him into immortal superstardom. On that show, Elvis performed “Hound Dog.” For some reason, the press decided to pay attention this time. Perhaps Elvis had not shown much style in his first appearance but I suppose he was feeling more confident the second time around because he showed off his moves. He gyrated and shook and the kids went wild, the parents were aghast and the censors were frantic. The New York Journal-American wrote that the young man’s “primitive physical movement difficult to describe in terms suitable to a family newspaper.” The San Francisco Chronicle called the performance “In appalling taste.” The New York Daily News said that Elvis “gave an exhibition that was suggestive and vulgar, tinged with the kind of animalism that should be confined to dives and bordellos.” Berle said that 4 days after the show he received 400,000 “pan” letters. Not “fan mail” but “pan mail.” People wrote to Berle and said that they would never watch his show again after he showed that disgusting young man. Berle said that he called Colonel Parker to inform him that he had a star on his hands. Berle recognized that if that many people took the time to write letters then he had to be on the minds of just about everyone. All publicity is good publicity. Now, Ed Sullivan had vowed to never book Elvis on his show due to all of his controversial wiggling. But, there were more shows besides Sullivan. Three days prior to his groundbreaking second appearance on Milton Berle, Elvis showed up on Your Hit Parade and went on the show again on June 9, 1956. The first of July found Elvis on the Steve Allen Show where he wore a tuxedo as he performed “Hound Dog” singing to a sad looking basset hound. Allen had considered pulling him from the show after the backlash of the Berle appearance. Instead, he took a comic approach and put Elvis in the tuxedo with the dog in an effort to control him. Elvis went along with it. An appearance with Jack Benny followed that. Sullivan had turned down an offer to pay $5000 to put Elvis on his show but after Allen with Elvis destroyed Sullivan without Elvis in the ratings, old Ed promptly changed his mind. The show was called originally called “Toast of the Town” and the guest host on September 9, 1956 was Charles Laughton of Captain Bligh fame from Mutiny on the Bounty. Also on the show was the same Hugh Jarrett who was booked on the Milton Berle show on which Elvis made his national debut. Sullivan wasn’t in the New York theatre as he was recovering from injuries suffered in an automobile accident so Laughton filled in. Elvis wasn’t in the theatre either. He was in Hollywood shooting his first movie. So, Laughton tossed to the guest by saying “away to Hollywood to meet Elvis Presley.” Elvis performed from a studio there. Sullivan was happy because his show that night got boffo ratings and he must have also been relieved. His delay resulted in Sullivan signing Elvis for 3 appearances for $50,000 which was an unheard of some in those days. By not having Elvis on sooner, Sullivan may have helped himself even though he cost himself money. Other shows built his popularity so, by the time he made it to the biggest show on TV, the Sullivan Show, people watched in record numbers. Myths get spread so much that often that the myth becomes the truth. As previously mentioned, many people probably remember the Sullivan appearance as Elvis’s national TV debut. They also probably recall that the censors on Sullivan’s show required that all shots of his performances would be from the waste up. Well, on that first Sullivan appearance, his first song was “Don’t be Cruel” and the cameras did in fact stay from the waste up, showing The King in a very loud plaid jacket. But the jacket was not the only thing that screamed out. Women in the audience were screaming at something Elvis did beyond the camera range. He then performed “Love Me Tender” which was his new song associated with his first movie of the same title. But, the cameras gave the television audience the full Elvis for his second segment. They showed his feet, his hips, his legs…everything wildly moving about as he performed the Little Richard song “Ready Teddy” and a couple of verses of “Hound Dog.” So, Elvis was not really censored by Ed Sullivan. The myth was created by the press who noted that tight shots were used whenever he started to dance. Perhaps it was censorship but more likely it was a director taking different camera shots. The audience saw plenty of Elvis in action and they certainly heard the women in the audience sqeal every time Elvis grunted, crossed his eyes, moved his tongue or even just stood perfectly still. Laughton concluded the show by saying, ”Well, what did someone say? Music hath charms to soothe the savage breast?” On that night, Ed Sullivan’s show was seen by 82.6% of the total television audience in America. Steve Allen didn’t even try as NBC pre-empted his show with a movie.
It may
have been Parker (left) and Not Sullivan who had the cameras show Elvis
from Waist Up for just one song but the public got the "Full Elvis" on
other segments. Myth Busted
Albums from Elvis Presley
![]() |
![]() |
![]() |
Tidak ada komentar:
Posting Komentar